STEIM / Sonology experiment – wild mangling
December 30th, 2012Experimental improvisation to explore my electro-acoustic setup of gesture controllers and sound manglers (M4L, Max, MiniBee) for live electro-acoustic improvisation.
Whistling & humming at the kitchen table transformed into some wilder manipulated sounds; extensively pitch-shifting. No pre-recorded sounds.
I think this might be the first experiment where I use the quadruple version of my sample-mistreating-system..
STEIM / Sonology experiment – Pataphone, Theremin, Soprano Sax
December 30th, 2012Experimental improvisation to explore my electro-acoustic setup of gesture controllers and sound manglers (M4L, Max, MiniBee) for live electro-acoustic improvisation.
Layering Pataphone, Theremin (focus not on tuning 😉 and Soprano Sax, I’m building the soundscape live and manipulate it (with the gestural controllers), sampling the instruments and improvising along. No pre-recorded sounds.
STEIM/Sonology experiment – Soprano improvisation
December 30th, 2012Experimental improvisation to explore my electro-acoustic setup of gesture controllers and sound manglers (M4L, Max, MiniBee) for live electro-acoustic improvisation.
This is one of the first times I tried it with my soprano saxophone.
Controlling- and playing modes here still are quite separated; interaction takes place by reaction to the automated mangling sequence created with the gesture controller, which then again is sampled and mangled and reacted to.
New version should allow for better integration of modes.
No pre-recorded sounds.
Jan Klug solo, live at Sonorama
December 30th, 2010Finishing section of a 20min live solo performance at Sonorama in Arnhem, somewhere in 2002.
Starts with Theremin (my old, self-built Paia Theremin) and ends with Pataphone.
Back then, my setup contained electronics, but no laptop..